As part of the process of publishing The International Journal of the Inclusive Museum all submissions are sent for peer refereeing, prior to publication. Assessment, comments and guidance by the referees are an essential part of the publication process and invaluable to the authors of the submitted papers.
In recognition of the important role of referees, the international advisory board acknowledges all referees who have refereed papers as an ‘Associate Editor’ in the volume of the journal they have contributed to.
If you would like to referee papers submitted to The International Journal of the Inclusive Museum, please email journals@onmuseums.com, with your professional details, areas of expertise and contact details. If we feel you are qualified and we require refereeing for papers within your expertise, we will contact you.

Congratulations to Ingrid Templer the winner of the International Award for Excellence in the inclusive museum field with the paper New Media Interactivity in the Museum: Democratisation or Dumbing Down?
Paper abstract: New media discourse brings to the table discussions about interactivity, about how humans interact with media and technology in terms of engagement and meaning making. New media, is the result of old media becoming computerised, that is, produced, stored and distributed in a numerical form. It includes media such as the web, computer games and DVDs. Virtual reality environments also employ new media.
This paper questions whether new media interactivity fundamentally differs from interactivity in general. More specifically it explores whether new media enhances the museum experience or trivialises it. Does it democratise knowledge, or is it a form of ‘dumbing down’ in order to appeal to the greatest possible number of people?
Two museums are analysed, both in the Johannesburg area, namely, the Origins Centre and the Maropeng Visitors Centre. Both have themes of mankind’s origin and early development in Africa. Their approach to interactivity however, differs considerably, thereby providing fertile contexts for comparison.
If you have read this paper and would like to make comments please add a review.
The International Journal of the Inclusive Museum has been accepted for inclusion in Ulrich’s Periodicals Directory.
Ulrichs is an authoritative knowledgebase of information about more than 300,000 serials of all types from around the world—academic and scholarly journals, peer-reviewed titles, online publications, newspapers and other resources. Bibliographic records provide details such as ISSN and title, publisher, online availability, language, subject area, abstracting & indexing coverage, searchable tables of contents, and full-text reviews.

Congratulations to Janice Baker the winner of the International Award for Excellence in the inclusive museum field with the paper Beyond the Rational Museum: Toward a Discourse of Inclusion.
Paper abstract: Museum discourse is not inclusive in that it neglects or negates the affective potential of museums. Affect is precognitive sensation, it is unexpected, and leaves a more lasting impression than re-cognition. The museum’s role in the shaping of histories, and its origins in class and gender exploitation are important areas of discourse, however, the focus on these issues also limits discourse. Ideologically driven critique seems unable to explain the experiential affect of exhibits of art and material culture. Arguably, an alternative museum with a contradictory set of meanings has always existed alongside the rational museum of critical discourse. Some critics do acknowledge that their disciplines seem unable to grapple with this ‘alternative museum’, however, there is not a critical vocabulary of affect with which to give it appropriate expression. Gilles Deleuze’s philosophical ideas give relevance to affect, and are useful in shaping or ‘shocking’ a way toward a more inclusive critical discourse, which might lead toward more inclusive museum practices.
If you have read this paper and would like to make comments please add a review.