Over the last five years, the J. Paul Getty Museum has earned a reputation as a leading reformer on a topic that has embroiled American museums in scandal for the past decade: the acquisition of recently looted antiquities.After evidence of the museum’s longtime participation in the illicit trade was uncovered by Italian and Greek investigators, the Getty agreed to return 49 of its most prized pieces of ancient art, cultivated collaborative relationships with those countries and adopted a strict acquisition policy, setting a standard that has been adopted by museums across the country.
But come September, when Timothy Potts starts as director of the Getty Museum with Getty Trust CEO James Cuno as his boss, the institution will be led by two men who opposed the adoption of some of those reforms.
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By Carol Kino from The New York Times
Half a century ago, on Oct. 4, 1959, an event took place at the Reuben Gallery in the East Village that changed the course of art history: a performance piece by the artist Allan Kaprow titled “18 Happenings in 6 Parts.” It is now known as the first Happening, a mythical event that knocked painting and sculpture from their previously unassailable perches and paved the way for performance art. Within months other artists were mounting their own performances too, including Claes Oldenburg, Jim Dine, Robert Whitman and Red Grooms. The scene flamed out almost as quickly as it had begun, but not before prompting a radical reassessment of the boundary between art and life.
But what actually happened at the Happenings? Because they were so ephemeral, and documentation is so patchy, art historians have spent decades trying to figure that out. So have their creators.
By Patricia Cohen from The New York Times
About 600 people, including the country’s first black president, gathered on the National Mall on Wednesday morning for a moment nearly a century in the making: the groundbreaking for the National Museum of African American History and Culture.
“It is real. It is real,” Representative John Lewis, Democrat of Georgia, a hero of the civil rights movement, said of this latest Smithsonian museum, which is being built next to the Washington Monument and near the site of former slave pens.
A national African-American museum was first proposed by black Civil War veterans nearly 100 years ago, and Mr. Lewis began sponsoring bills to make that dream a reality in 1987, soon after he was elected to Congress. President George W. Bush signed the legislation into law in 2003, after it won support from conservative Republicans like Gov. Sam Brownback of Kansas, then a senator, who was among those attending on Wednesday.
From Yahoo! News
A shopping trolley immersed in seven tonnes of white sugar, 2,000 vacuum-packed sausages littering the floor, thousands of slices of bread forming little houses. These installations are not classic art exhibit fodder but part of a modern art display at a German museum exploring discount culture, as pioneered by supermarket giants such as Aldi.
The exhibition, “I Love Aldi”, runs at the Wilhelm-Hack museum in the western industrial city of Ludwigshafen, situated on the banks of the Rhine, until March 4.
“The ‘Aldi-isation’, or the search for low cost, has long since become a social phenomenon which has swept through all social classes and companies,” said museum director Reinhard Spieler.
From The Economist
When Sir Terence Conran opened the Design Museum in Shad Thames in London in 1989, he was told no one would make the trek across the river. Back then it was “an area nobody would go to”, still home to wharfs and disused factories, he said. Now it’s a different story. With the advent of the Tate Modern in 2000, and the various redevelopments of South Bank, you can’t cross a bridge without hitting a new cultural landmark. And now the Design Museum has run out of space.
This week plans were unveiled for a bigger space. With help from Deyan Sudjic, the museum’s director, Sir Terence is once again launching the museum in a relatively culturally sparse (albeit well-heeled) area. The new museum will be in what was the Commonwealth Institute on High Street Kensington. An anomaly on a British high street, this huge Grade II* listed structure from the 1960s, with its extravagant copper roof, has lain untouched for ten years, and has been the cause of quiet consternation among city councillors. Inside, it still welcomes visitors with photos of children from around the Commonwealth and a mural of the globe; a large gate at the front prevents people from sleeping rough in the disused courtyard. Futuristic and retro at once, it is a building Sir Terence believes “altered the way many architects thought about design.”

By Mark Lowen from the BBC News
Armed robbers have stolen dozens of artefacts from a Greek museum dedicated to the history of the early Olympics.
Two masked men smashed display cabinets and took more than 60 objects after overpowering a guard at the museum in Olympia, officials said.
The town’s mayor said the items, mostly bronze and clay statuettes, were of “incalculable” value.
Culture Minister Pavlos Geroulanos has tendered his resignation, but it has so far not been accepted.
He visited the site which is on a forested hilltop in western Greece.
The BBC’s Mark Lowen in Olympia says the robbery – the second major museum theft this year – raises fresh questions about museum security.

Jan. 21, 2012: An artifact returned by Italy to Libya, known as the Head Domitilla, which was stolen from Sabratha, Libya in 1990, is seen on display during Italian Prime Minister Mario Monti's visit to Tripoli, Libya.
From the Associate Press
Italy has returned to Libyathe head of a 2,000 year-old statue that was smuggled out of the country in the 1960s.
Prime Minister Mario Monti gave the sculpted head of Domitilla Minor, the daughter of Roman emperor Vespasian, to Libyan authorities during his trip to Tripoli on Saturday.
The sculpture was taken from Libya’s northwestern city of Sabratha in the 1960s, and recently auctioned at Christie’s.
By Carlos Boettcher from ABC News
Thieves executed a brazen early-morning burglary of Greece’s largest art museum Monday, making off with three works, including one by the 20th-century master Pablo Picasso.
The burglars were able to take advantage of the National Art Gallery’s soft security, which was short-staffed because of striking workers, officials said.
Greece, beset by riots, strikes and economic pressure, has had to make numerous cuts in the public sector, including museum security.
The heist was successful thanks to a combination of planning, patience and timing, officials said. Alarms were intentionally set off numerous times Sunday, leading the guards to disable at least one of the alarms, providing the thieves easy entrance through a balcony door.

Arlan Ettinger, president of Guernsey's Auction House, stands next to a model of the Titanic, during a press conference and preview of Titanic artifacts on Thursday, Jan. 5, 2012 in New York. The complete collection of artifacts recovered from the wreck site of the RMS Titanic will be auctioned by Guernsey's Auction House in April. Photo by Bebeto Matthews from The AP
By Kelly Shiers from The Herald News
The sale of more than 5,000 artifacts salvaged from the world’s most famous shipwreck is causing concerns for a local museum official.
Concerns serious enough the Maritime Museum of the Atlantic will never consider hosting the Titanic relics — even as a temporary exhibit.
“No maritime museum in the world that is part of the (International Congress of Maritime Museums) would display any of these items,” the museum’s registrar Lynn-Marie Richard said in a recent interview.
The recovered objects from the ship are set to be sold to the highest bidder, almost a century after the unsinkable vessel sank after hitting an iceberg, taking more than 1,500 passengers and crew to an icy grave in the North Atlantic.
The New York City auction has captured worldwide attention. Its very existence possible only after years of legal wrangling that now allows RMS Titanic Inc. to sell the incredible collection including a mesh purse, sunglasses, a bronze cherub that once adorned the ocean liner’s grand staircase, china and jewelry.
From The China Post
Madrid’s top three museums — the Prado, the Reina Sofia and the Thyssen-Bornemisza — received a record number of visitors last year as blockbuster exhibits drew crowds despite a weak economy.
The private Thyssen-Bornemisza, which displays works by artists ranging from El Greco to Picasso, posted the biggest rise in visitor numbers of the three museums that make up the Spanish capital’s so-called “Golden Triangle of Art.”
It drew 1,070,390 visitors, a 30.4 percent jump over the previous year and the biggest number since the museum opened its doors in 1992.
The rise is due to the success of the seven temporary exhibits it held last year, longer opening hours and an increase in the number of visitors to Madrid, the museum’s director general Miguel Angel Recio said.
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